Yumper and Cotton are back for another edition of Frame for Frame, and this time they’re putting RoboCop head-to-head with RoboCop.
From brutal practical effects and razor-sharp satire to studio polish, PG-13 decisions, and modern reboot compromises, the crew breaks down what actually works — and what completely misses the point. This is a frame-by-frame comparison of tone, violence, movement, design, villains, and legacy, digging into why the 1987 original still hits hard and why the remake struggles to justify its existence.
No nostalgia goggles, no studio PR spin — just honest conversation, hot takes, and a deep dive into what makes RoboCop RoboCop. If you love film breakdowns, practical effects, and calling out soulless reboots, this one’s for you.
🎙️ Frame for Frame
🤖 RoboCop (1987) vs RoboCop (2014)
🐧 Hosted by Yumper & Cotton

Hey, do you like movies? Do you like to discuss movies? Well, if you answered yes to any of those questions, we got something for you. Presented by Sadistic Penguin Studios, The At The Show Podcast, does a deep dive into everything film. So, get your popcorn ready and join the Film Discussion!
🎙️ Yumper and Cotton are BACK with another episode of Frame to Frame — and this time, it’s a full-on horror showdown.
We’re diving into The Fly (1958) vs The Fly (1986) — two films built on the same terrifying concept, but executed in completely different ways.
One is a classic, slow-burn sci-fi horror with that vintage ‘50s charm…
The other is a grotesque, emotional, body horror masterpiece that still makes people squirm.
In this episode, we break down:
🪰 Classic vs modern horror storytelling
🪰 Practical effects evolution and nightmare fuel
🪰 Performances, themes, and what hits harder today
🪰 What holds up — and what doesn’t
🪰 And which version truly earns the title of THE definitive Fly
Is the original a timeless classic?
Is Cronenberg’s version the ultimate transformation horror?
And which one sticks with you long after the credits roll?
Tap in, and let us know — which Fly are you riding with?

