Day Thirty of 31 Days of Horror digs into Smile (2022) — the modern horror hit that turns trauma into a curse and happiness into a weapon. Smart, scary, and emotionally raw, it’s one of the most effective horror films of the last decade. https://youtu.be/7ziziJ-S0XY
31 Days of Horror – Day 30: Smile (2022 Movie Review) Read More »
Day Twenty-Nine of 31 Days of Horror faces the darkness with The Babadook (2014). Part monster movie, part emotional breakdown, this modern classic proves that the scariest thing in horror isn’t the creature in the closet — it’s the grief that never leaves. https://youtu.be/ehdEr4tarUE
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Day Twenty-Eight of 31 Days of Horror brings the bugs with Mimic (1997). Guillermo del Toro’s early English-language horror blends tragedy, science, and mutant cockroaches in one beautifully grim monster flick. It’s creepy, poetic, and still makes you question every noise in the dark. https://youtu.be/OGp9U_augZk
31 Days of Horror – Day 28: Mimic (1997 Movie Review) Read More »
Day Twenty-Seven of 31 Days of Horror gets meta with Wes Craven’s New Nightmare (1994). Heather Langenkamp faces Freddy one last time — but this time, it’s personal, existential, and terrifyingly real. Craven’s self-aware masterpiece takes the slasher genre apart and puts it back together as art. https://youtu.be/e3cMP9CZets
31 Days of Horror – Day 27: Wes Craven’s New Nightmare (1994 Movie Review) Read More »
Day Twenty-Six of 31 Days of Horror brings the whispers with The Empty Man (2020), a cosmic horror film that blends urban legend, philosophy, and pure existential dread. Beautifully shot, expertly acted, and completely misunderstood on release, it’s one of the most ambitious horror films of the past decade. https://youtu.be/gGSosufM5NI
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Day Twenty-Five of 31 Days of Horror takes a detour straight into childhood trauma with Return to Oz (1985). Forget singing munchkins — this movie’s got electroshock therapy, severed heads, and Wheelers straight from Satan’s circus. It’s dark, weird, and way too real for a “kids’ movie.” In other words, perfect for Sadistic Penguin Studios.
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Day Twenty-Four of 31 Days of Horror gets cozy with Killer Sofa (2019) — a horror-comedy so absurd it loops back to genius. With a possessed recliner on a killing spree and a script that plays it straight, this New Zealand cult classic is comfort viewing for the deranged.
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Day Twenty-Three of 31 Days of Horror dives into Prince of Darkness (1987), where John Carpenter blends science and theology into pure existential terror. With haunting visuals, a chilling score, and one of horror’s most memorable endings, this apocalyptic gem still resonates decades later. https://youtu.be/rWX8XiS8r-Y
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Day Twenty-Two of 31 Days of Horror brings the occult to Los Angeles with Lord of Illusions (1995). Clive Barker’s dark fantasy noir combines ritualistic horror and detective mystery, with unforgettable performances from Scott Bakula, Famke Janssen, and Daniel von Bargen as the twisted cult leader Nix. It’s dark, surreal, and pure Barker magic. https://youtu.be/8sWe9cUvczQ
31 Days of Horror – Day 22: Lord of Illusions (1995 Movie Review) Read More »
Day Twenty-One of 31 Days of Horror revisits Tales from the Hood (1995), a masterpiece of socially conscious horror. Combining satire, style, and terror, it turns urban legends into morality plays drenched in blood and meaning. Clarence Williams III delivers a career-defining performance as Mr. Simms, guiding viewers straight to hell — one story at
31 Days of Horror – Day 21: Tales from the Hood (1995 Movie Review) Read More »